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My Thoughts on Portait of Death, The Versipellis Mysteries, Book 1, by Rhen Garland.

A Portait of Death
The Versipellis Mysteries
Book 1 by Rhen Garland


I do not recommend this book for my YA readers.

Tragedy strikes at Marmis Hall the night of great party. The plot was interesting, the characters well developed, but my favorite part of the book was seeing Marmis Hall.

Even though I have never been to Southwest England, the author did a great job at describing the settings for me to understand and see what was happening.

I learned a great deal about how to build the landscape for the reader. I could easily see and hear everything that was described in the book in my mind’s eye.

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Newest Interview

Huge Shout Out to Eric Klein for featuring me on his website!

Please check it out

https://www.ericlklein.com/homepage/feature-friday-futures/interview-quinlan-meservy/

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JQM PRESENTS A BLOG POST INTERVIEW WITH AUTHOR N. M. Rudolph

JQM PRESENTS A BLOG POST INTERVIEW WITH AUTHOR N. M. Rudolph

TELL US ABOUT YOURSELF:

I’m N. M. Rudolph. I’ve been writing since childhood. The earliest thing I remember creating was little letters to my parents. I liked making cards and little poems. My dad has always been a scholar, so I think I picked up my love of reading and writing from him. Since then, I’ve tried my hand at most writing outlets. One of my favorite seasons was when I regularly attended a poetry group that would meet monthly. I met one of my dearest friends at one of those meetings. Generally speaking, my story is pretty commonplace. I dream of having my books read by everyone, so I get by with freelance work and part-time jobs. My main money-maker is my own tutoring business. Funny enough, I was certified as a high school math teacher. After quitting a job that stank, I created my one-man business. That let me tutor writing as well—among so many other subjects. I love learning and am always trying to find the energy and time to learn more. In my own publishing process, I’ve learned a tremendous amount. I went with self publishing because I didn’t feel like waiting for an agent to accept my work. It seems that that path is less and less feasible. Publishing companies in general seem to take more and offer less. Marketing is always an odious beast, but I like being able to control more of the variables. Mostly, I want to make money so that I can allow myself to create more. Besides books upon books that I long to write, I have so many other creative projects waiting for the opportunity to be created. Some of the prominent categories are music and visual art. I’ve dabbled in both and want to offer myself the opportunity to do them well.

WHAT INSPIRES YOU TO WRITE?

It’s the deepest passion in my heart, so it’s more a matter of needing to write than being inspired to write. I enjoy it of course, but it’s a quiet itch that never stops. Sometimes, it’s not so quiet. The urge is always there, then, and it’s only waiting for time to do it. In that context, ideas are constantly sparking in my brain. It could be something somebody said, an existential question I ask myself, some movie that did a crappy job of delivering its plot such that I wanted to do better, and on and on. Since there’s no lack of digital storage (at least for text), I have piled up hundreds of different story and book ideas that are just waiting.

WHO ARE YOUR FAVORITE AUTHORS? WHY?

C. S. Lewis forever. I love the worlds he created as well as how much content he packed into so few words. For example, his most famous novel The Lion, the Witch, and the Wardrobe was only just over 38,000 words. For the rest of that series even, the maximum word count stops short of 65,000. I’m not saying that a shorter novel is necessarily better, but Lewis managed to do extraordinary things with so little space. I also adore Brandon Sanderson. He uses a far higher word count (383,389 in The Way of Kings for example), but he also packs in so much vivid content. He manages to make each of his characters believable and relatable. There are so many other great authors I’ve read, but none stands out so boldly as those two.

WHAT ARE YOUR FAVORITE BOOKS? WHY?

I’ve thoroughly been enjoying Brandon Sanderson’s Stormlight Archive series. I love how much attention he gives to each character. No one is expendable, and the characters on whom he focuses are all captivating. The one that stands out to me, however, is Kaladin Stormblessed. It was his hardships—and how he survived them—that reminds me I can survive troubles. I even occasionally say to myself, “If Kaladin can survive bridge four, I can survive this.” The series is definitely a worthwhile read.

WHO ARE YOUR FAVORITE LITERARY CHARACTERS? WHY?

Kaladin of course. I enjoyed Ransom from C. S. Lewis’ Space Trilogy. Dalinar Kholin—also from Sanderson’s Stormlight Archive—is another favorite. (I promise that I’ve read other books. It’s just that I’ve been in these for a while because they’re so blasted long.) I admire Dalinar’s lasting ferocity that, in his older years, is tempered with regret and a desire for purpose. He’s not perfect, but he’s constantly struggling to pursue what’s right and honorable. It’s a beautiful image.

DO YOU HAVE ANY ADVICE FOR FELLOW AUTHORS AND/OR ASPIRING AUTHORS?

Keep at it. The sun will rise and set. Peace will ebb and flow. You may or may not get support. Inspiration is fickle. Despite all this, you will be more plagued in your spirit if you continue finding excuses not to write than if you had just written and been rejected. Also, let go of the need to be validated in your writing. If people like it, splendid. If you can get published, awesome. If you make some money off it, glorious. However, write for yourself first. Write just to relieve the mental pressure your brain keeps creating in the effort to destroy itself. Also, work harder. Poetic license is never an excuse to be sloppy or lazy. It’s horrible trying to find the balance between rigor and flow, but you can assume that either extreme is bad news. Just because you’re trying to find freedom, it doesn’t mean you should abandon grammar altogether. Also, be more vulnerable. Writing is not a safe thing. We shouldn’t write to protect our feelings. Among many reasons, we should write simply to practice being vulnerable with ourselves—and possibly with others. We humans like to hide from each other and ourselves. Writing, even fiction writing, is the practice of being seen, being exposed. Let your hurts spill into your stories. It’ll make them that much truer.

IMAGINE ONE OF YOUR BOOKS IS ABOUT TO BECOME A FILM OR TV SHOW. WHO IS YOUR “DREAM CAST?” AND WHO DO YOU ASK TO CREATE THE SOUNDTRACK?

That is a tough question! I have no idea who should make the soundtrack because I don’t really know composers. As for cast, I want Nathan Fillion in something, whatever it is. There are a few of my stories whose themes wouldn’t quite align, but Fillion’s persona, recurring though it is, is one of my favorites. Amy Adams has a beautiful voice and great acting skills, so she should have a role somewhere. The same goes for Gerard Butler. Emma Thompson has played some amazing characters, and her accent would be its own great addition. Speaking of singing, Hugh Jackman would have to be in the movie too.

IS THERE ANYTHING YOU WANT TO SHARE WITH POTENTIAL READERS?

I’ve written so many things and even published a lot of them! If you look for a little while, I’m sure you’ll find something to your liking.

WHERE CAN WE GO TO LEARN MORE ABOUT YOU AND YOUR LITERARY WORKS?

nmrudolph.com

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Staurday March 4th

Mornin Friends,

I am starting feel better, and have decided to participate in author interviews again

My next interview will be a live feed on Facebook at 11 AM eastern, 9 am Mountain on Saturday March 4th. I hope you can join us.

Please note the typo on the flier. The interview will take place at 11 am Eastern, 9 am Mountain.

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My Thoughts on Frankenstein by Mary Shelley

My Thoughts on Frankenstein by Mary Shelley

I have an author friend who is currently writing a Phantom of the Opera retelling in a contemporary, young adult, academy, Christian multi-genre blend style. It is beautifully crafted story, and I can’t wait for her to publish it so I can share it with all my friends.

But in talking with my author friend about what inspired her to focus on a gothic horror story, I got thinking about my favorite gothic horror book. Well, books. Frankenstein by Mary Shelley and Dracula by Bram Stoker. And I was drawn to the idea of writing my own Frankenstein retelling that focused on the creator’s responsibilities for its creations. That has always been my favorite theme in Frankenstein. When the monster says to Frankenstein that it did not know how to act because he (Dr. Frankenstein) failed to teach him ethics, I am always like *mic drop.

So I took the time to re-read Frankenstein and focus on the themes of the original text, and think about what I would like to include in my own retelling someday.

I love this book. There is so much more to the original story than scary serial killing monster.

Using guilt as a motivating factor. So much of Frankenstein’s life after the monster wakes up is driven by his guilt. When I eventually get around to crafting my own Frankenstein retelling, I need to remember the power of guilt as a motivator.

To be honest, I already can’t wait to read this again and glean from it what I can to help inspire my own writings. That’s the power of favorite books, I think. Every time I read my favorite books, I find a new reason to love them.

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My Thoughts on East of Eden by John Steinbeck

My Thoughts on East of Eden by John Steinbeck

I will be honest, this was not my type of book. But even when I don’t like the plot, and don’t agree with the characters, I am teaching myself to still learn something.

Steinbeck is an amazing author, in my opinion. He did a great job at developing the characters so I understood them, even if I didn’t like them. He described the landscape so well, I saw it.

Before reading East of Eden, I used to think that the most talented authors at world-building created new worlds. After East of Eden, I realized that the best world-builders describe their landscapes in a way that the reader can see and feel the droughts, the dry ground, the lush farmland. It’s not just about creating something new, it’s also about describing the world in a way the reader can see and feel the world.

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JQM LITERARY SPOTLIGHT PRESENTS The Great Convergence by Thomas Kast

JQM LITERARY SPOTLIGHT PRESENTS The Great Convergence by Thomas Kast

FIRST, LET’S GET TO KNOW YOU A BIT.  TELL US SOMETHING UNIQUE ABOUT YOURSELF:

I’m an award-winning independent photojournalist and illustrator based in Zurich, Switzerland, and have published a number of photography art books. I’ve spent a big part of my life in Israel, where I taught photography and illustration at the Shenkar College of Engineering and Design and other Israeli colleges. As for unique stuff: I’m native of the 234’s dimension and only come to Earth to conduct psychological experiments on humanity for my own amusement. My debut novel The Great Convergence is an absurdist-philosophical science fiction piece. It evokes many of my real-life experiences fused with unhinged fantasies.

WHAT IS THE GENRE AND AUDIENCE FOR THIS BOOK:

Anyone who likes to reads something different from the run-of-the-mill hard sci-fi full of aliens and robots shooting lasers at one another just because they can. A subversive philosophical science fiction and social satire, I wanted the Great Convergence to take the readers out of their comfort zone, exposing the absurdity of many ethical and intellectual ideals. If you like the wry humour of Kurt Vonnegut and Douglas Adams or the philosophical insights of Stanislaw Lem, you’ll enjoy it too.

WHAT WAS THE INSPIRED YOU TO WRITE THIS BOOK:

As I said earlier, it’s a philosophical and humorous science fiction. I wanted to create a book that can be enjoyed, read and re-read and could give the reader a memorable experience. I’ve noticed that most contemporary sci-fi often ventures into the strictly commercial territory. Not entirely happy with this trend, I wanted to use science fiction as a vehicle to highlight many social and philosophical problems, but with a healthy dose of humour. There are several recurring themes in my book, which result from observing and analysing the world around me. One of those inspirations would be stupidity. It’s a subject that has always fascinated me. All of my characters make inexplicably unwise and shortsighted decisions despite being exceptionally smart (some of them). Superheroes are great but, often being no more than mere archetypes, they often lack humanity. It’s the crazy ones who provide all the fun. Another inspiration and recurring theme in my book inspired by real-world observation is miscommunication. My characters are all stuck in uncomfortable situations. Constantly missing the point, they don’t understand each other’s motives, and they’re unable put themselves in someone else’s shoes. They oscillate between being inordinately overconfident or hopelessly insecure but can never think on two feet. Above and beyond, they’re blinded by their personal goals they consider of great consequence and which are insignificant and trivial. As irony would have it, they all have a profoundly important part to play on the universe’s stage — something they’re never to discover.

TELL US ABOUT YOUR BOOK:

Here’s the premise: 10.000.002 A.D. A cantankerous scholar slipping into obscurity is out for revenge. He time-travels to the year 2022 to stop his nemesis, Scott — a successful scientist at a competing university — from thwarting his research into the origin of a mysterious phenomenon, the Great Convergence. Cunning and ruthless, Scott will stop at nothing to defend his tenure track. The feud quickly spins out of control, and the damage to reality grows unchecked. Caught in the crosshairs are three characters responsible for triggering the Great Convergence: an art-hating professional art critic who, unbeknownst to him, spontaneously switches between universes wreaking havoc as he goes; a talentless artist whose sculptures act as trans-universal portals; and a schizophrenic astrophysicist trying to avert the invasion of alternate versions of himself from different realities. As their paths converge, the apocalyptic event takes place, and the inescapable tragedy of human existence unfolds. tist at a competing university — from thwarting his research into the origin of a mysterious phenomenon, the Great Convergence. Cunning and ruthless, Scott will stop at nothing to defend his tenure track. The feud quickly spins out of control, and the damage to reality grows unchecked.

WHERE CAN WE PURCHASE YOUR BOOK:

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My Thoughts on Wednesdays in the Tower by Jessica Day George

My Thoughts on Wednesdays in the Tower by Jessica Day George

Oh Castle Glower book 2.

There is rather hot debate in home about what events occur in which book of this series.

My favorite aspect of the story that the author did in this book was make the castle a character, even more so than in the first book. I thought it was enjoyable that the castle had such a fun a personality, and how the castle acted and reacted with the inhabitants.

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My Thoughts on the Tuesdays at the Castle by Jessica Day George

My Thoughts on the Castle Glower Series by Jessica Day George

This is another book series that my children absolutely loved, so I read them. And while I enjoyed the books, I did not love them as much as my children did.

After reading Tuesdays at the Castles, my biggest takeaway was that is a fun children story. And that while the happily ever after was predictable, the how that ending came about was not. I was as surprised as my children at how this book ended.

As an author, I think my biggest takeaway was to let the story surprise you. Kids love surprise twists as much as adult readers do.

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My Thoughts on Collateral Carnage by Chris Saper

My Thoughts on Collateral Carnage by Chris Saper

I read this on a recommendation from a friend. I am not a huge fan of thriller books, and I didn’t really engage well with some of the characters, but I loved the behind-the-scenes puppet-master who invested in the drug. And I loved all the characters that acted with integrity and stood up for their values no matter what.

And I think that is my takeaway from Collateral Carnage. That even when a reader doesn’t care much for the plot, if you write compelling characters that are relatable, and willing to take a stand, your reader may enjoy the book even though it is not their usual genre. I know that was my case. I didn’t care about the big corporate corruption or the bad guys chasing the good guys, or any of it. I cared about the characters, and I loved the characters that were willing to take a stand, even though they knew it would cost them their lives. In this case, I mean going into witness protection and literally starting a whole new life.